Artist introduction
My practice began with documenting impermanent places — the overlooked corners, shifting landscapes, and fragile architectural traces that quietly hold emotion. Through experimental printmaking with recycled materials and low‑fi processes, I explored chance, erosion, and the beauty of things that don’t last.
Six years on, this work is evolving into something more embodied and participatory. I’m developing creative processes and outcomes that can fade, erode, or exist only for a moment, alongside drawing‑led workshops that use place, memory, and mark‑making to support reflection and wellbeing.
In 2026, my training as a Creative Mentor is shaping a new direction: using the symbolism of buildings as containers for experience and emotion, and working with families who have experienced exclusion through a National Lottery Project Grant.
If you’d like to explore this further, you can dive into my printmaking practice, learn how to get involved, or read more about my Creative Mentoring and NLPG‑funded research.
Printmaking
My printmaking practice explores impermanence, overlooked spaces, and the quiet stories held in shifting landscapes. I work experimentally with recycled materials, low‑fi processes, and marks that embrace chance and erosion.
Explore my printmaking →
Learn to Print
If you’re curious about learning these processes yourself, I offer accessible, hands‑on sessions that introduce experimental printmaking in a calm, playful way. No experience needed — just an openness to explore materials and make your own discoveries.
Attend a workshop→
Creative Mentoring & NLPG
My Creative Mentoring work uses simple art materials, grounding techniques, and reflective conversation to support wellbeing, confidence, and personal agency. This strand of my practice is currently being developed through a National Lottery Project Grant, working with families who have experienced exclusion.
Discover Creative Mentoring and my NLPG project →
